Living Better Cinematically

The Artist's Dilemma (downloaded from the Edison Film Archive ). [Category: Early Film & TV]

A fat, bizarrely-dressed muse springs out of an artist's grandfather clock and proceeds to mess with his model and his mind. Woah! Gotta go easy on those hallucinogenic drugs before painting, fella. A 1901 Edison film.

Ratings: Camp/Humor Value: *. Weirdness: . Historical Interest: . Overall Rating: **.

Beech-Nut Baby Food (film #22 on Prelinger Archive). [Category: Commercial]

Standard-issue baby food commercial from the early 60s. The claim that the food "caters to your baby's tastes" might seem a little farfetched, but this is pretty standard for the most part.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: *. Overall Rating: .

Bring 'Em Back Nude (extra on The Beast That Killed Women/The Monster of Camp Sunshine DVD (Something Weird, 2001)). [Category: Sleaze & Outsider]

A woman gets to borrow her sister's apartment while the sister and her husband are away on a jungle expedition. So, naturally, the woman immediately strips in front of the handy camera left running in the living room. Then she puts on a sheer robe and stretches out on the floor and reads her sister's diary, which tells the story of the sister's jungle expedition. Said expedition involves an African guide who inexplicably dresses like the New Year's Baby; a mysterious tribe led by two "white goddesses" who are actually naked white women; a gorilla who kidnaps the sister, takes her to the "goddesses" and strips her naked; the kidnapping of the goddesses, plus several naked native women for good measure, by the sister's husband; and lots of confusing and surreal stock footage of African natives. It all ends with the original woman being interrupted in her reading by the leering husband of her sister. This was originally a peep show––you can tell by the fact that every few minutes you see a title card demanding that you fork over another dime to see more. Even taking that into account, there's something charmingly wacky about this cheapo film, making it more watchable than these sorts of things usually are.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

Babies and Breadwinners (film #421 on Prelinger Archive). [Category: Public Service]

This film documents the 1961 polio vaccine campaign in Columbus, Georgia. It's pretty dry and dull for the most part, going into a great deal of detail about such things as the preliminary surveys and the plans for where the mobile units would be set up. It does have historical value, though, for that very detail. One memorable scene shows Bozo the Clown getting vaccintaed on his tv show, which I like to see because it's a rare glimpse into local television, a fascinating subject that has been very poorly documented for the most part.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: ***. Overall Rating: *.

Classic Sci-Fi Trailers, Vol. 5 (Sinister Cinema). [Category: Commercial]

Yet more trailers from science fiction movies from the 50s, 60s, and 70s. Most of the camp value on this tape comes from silly scenes from the movies themselves, rather than anything special about the trailers. Still pretty fun.

Highlights:

Like science fiction westerns? This tape has trailers from two of 'em: Teenage Monster and The Valley of Gwangi.
In the trailer for Teenagers from Outer Space, they couldn't even afford to show any clips from the movie! It uses stills only! This is the first time I've ever seen such a thing.
When I was a kid, I had the privilege to see the trailer for the movie Bug! in theaters. It was one of the most memorable trailers I ever saw––it just goes on and on, practically giving away the plot of the whole movie. Thanks, Sinister Cinema, for letting me relive a moment of my youth.
Msties, take note: contains the trailers for Radar Men from the Moon, The Amazing Colossal Man, and Teenagers from Outer Space.
Sinister Cinema must record over old tapes sometimes. My copy of this tape has the ending of an incredibly lame, cheap, creaky 1940s Buster Keaton rocket-to-the-moon comedy on the end of it.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: **. Overall Rating: *.

The Bachelorette Party (film #8 in the Indie Section of Movieflix (www.movieflix.com)). [Category: Outtakes & Obscurities]

OK, call me dense, but I don't get this one. It has something to do with a vomiting bride at her bachelorette party, a bitchy friend trying to get revenge on her for marrying her ex-fiance, and a Spanish cleaning woman. The story is told in bits and pieces, but they don't quite fit together coherently, at least not for me. And there's too much footage of vomiting.

Ratings: Camp/Humor Value: . Weirdness: *. Historical Interest: . Overall Rating: .

Dole Air Race, 1927 (film #1818 on Prelinger Archive). [Category: News]

Newsreel story documenting a big air race from Oakland, California to Hawaii in 1927. This was in the early days of flight and a poignant note is added when the title cards tell us that a number of the competitors they show us didn't make it back alive. That, and the fact that one of the planes doesn't even make it off the ground, emphasizes how much of an adventure flying still was at that time. A historically interesting document from the early days of aviation.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: **. Overall Rating: *.

Goldielocks Goes Glamorous (film #2 on Exploitation Mini-Classics, Vol. 2 (Sinister Cinema)). [Category: Sleaze & Outsider]

The classic fairytale is used as a flimsy excuse for leering at a blonde in a bikini frolicking about a swimming pool. The narrator sounds like a retiree from the Dead End Kids. Very similar to Beachcombing Belle. About the only thing interesting about these grindhouse shorts is their cheapness and how tame they seem today.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: *. Overall Rating: .

Atomic Alert.

This is Encyclopedia Brittanica Films' answer to Duck and Cover. As you would expect, its somewhat more staid than the other film, but it has its moments. The opening graphic is quite cool and disturbing, with an atomic symbol superimposed on the iris of a human eye. The rest of the film, though, is a lot more prosaic, though it does have an incredibly sarcastic-sounding little sister character, and a scene where a boy doesn't know where to go when the siren goes off, and rather than go to one of his friend's houses as he is encouraged to do, he takes refuge in the home of a total stranger (with the blessing of the narrator––this just begs to be msted). As usual, the atomic threat is laughably minimized.

Ratings: Camp/Humor Value: **. Weirdness: *. Historical Interest: . Overall Rating: .

America on Wheels (film #349 on Prelinger Archive). [Category: Industrial]

This short, lightweight featurette skims over the story of the development of the automobile in America. Lots of antique car footage is shown, and we get to see lots of mildly amusing moments of early 20th-century folk struggling with the problems of early cars, but almost no historical information is given––the makes and models of the cars shown are not even mentioned! Strictly for lightweights.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

Dinosaurs! (Simitar Entertainment, 1993). [Category: Outtakes & Obscurities]

This documentary history of dinosaurs in the movies is quite fun, with a number of things to interest ephemera collectors. Not only are there lots of scenes from feature-length dinosaur movies, but there's also lots of trailers, clips from shorts (especially early silents), and outtakes and clips from movies that were never completed (such as Willis O'Brien's Creation). You can tell that the hosts, Donald F. Glut and Christy Block, are real dinosaur buffs. There's also interviews with luminaries such as Forrest J. Ackerman and Ray Harryhausen. If you love dinosaurs, you'll love this tape, and even if you're not particularly a dinosaur fan, you'll find enough miscellaneous obscurities here to hold your interest. Simitar added three extra early dinosaur shorts to the end of the tape: Gertie the Dinosaur, The Dinosaur and the Missing Link (see reviews of both of these posted seperately), and clips from Creation, an unfinished dinosaur feature that Willis O'Brien worked on (also see review posted seperately).

Ratings: Camp/Humor Value: **. Weirdness: . Historical Interest: *. Overall Rating: **.

NASA, the 25th Year (film #6 on NASA DVD (Madacy Entertainment, 1999)). [Category: News]

This 1983 film documents the history of NASA up to that point. Although the narration and soundtrack is only average, visually the film is a treasure trove for ephemera fans, containing interesting clips-aplenty from NASA's vaults. Highlights include brief clips of the first satellite tv broadcasts; tons of footage of bizarre astronaut training manuevers and experiments; lots of space footage from the most well-known of NASA's missions; a large assortment of space photographs, including those of the outer planets of our solar system taken by the Pioneer and Voyager space probes; and footage of lots and lots of odd-looking experimental aircraft. Historically fascinating and fun to watch as well.

Ratings: Camp/Humor Value: *. Weirdness: **. Historical Interest: *. Overall Rating: ***.

Baggies Food Wrap Commercial (film #425 on Prelinger Archive). [Category: Commercial]

Arrgghhhh!!!!! This commercial says it's presenting "the sounds of freshness," but actually it's the sounds of people chewing!! I hate hearing people chew!!

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Annoyance Factor: . Overall Rating: *.

Boudoir Buccaneer (film #11 on Blood of Floor Sweepings (LS Video)). [Category: Sleaze & Outsider]

A naked lady trims a set of long underwear (with a pair of scissors she must have borrowed from Harpo Marx) into a stylish two-piece set from the Daisy Mae Collection. This is the first stag film I've seen where the woman starts out naked and gets dressed.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

American Cowboy (film #352 on Prelinger Archive). [Category: Public Service]

A city-slicker reporter from Detroit spends a year on a cattle ranch in order to find out what the life of a cowboy is like. This film provides an interesting and quite complete snapshot of the life of cattle ranchers and ranchhands during the 50s. By that time, some aspects of ranching had been modernized, but others were virtually unchanged from the 19th-century days of the open range. A full year's worth of cowboy activities are shown, including branding, driving cattle to the upper ranges, rodeos, haying, and driving the cattle to market. Cowboy buffs and anyone geniunely interested in what real-life ranching is like (or was like during the 50s, at least), should enjoy this film immensely.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: *. Overall Rating: .

The Atomic Dilemma: Challenge of Our Age (film #4 on Atomic Memories (Video Yesteryear)). [Category: Military & Propaganda]

This short, possibly incomplete film documents an atom bomb test in the Utah desert in which a model town called "Survival City" was built and nuked. The city contained fully furnished houses, complete with mannequins and real food. There's lots of striking, somewhat surreal scenes of the houses blowing up, mannequin parts flying everywhere. It's similar in feel to the crash test scenes in Safety Belt for Susie. An oddity.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: *.

The Artwork in Its Age of Mechanical Reproducibility (film #15 in the Film & Video section of Illegal Art). [Category: Outtakes & Obscurities]

A large variety of FBI warnings flash by to the strains of "Mack the Knife." The concept of whether or not this video maker will be prosecuted for copying all those FBI warnings gets aburd with only a moment's thought. And adding "Mack the Knife" gives the project a nice Kovacsian feel. And the FBI warnings themselves count as ephemera flotsam and jetsam.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

Chasing OJ (track #22 on Stay Tuned: Television's Unforgettable Moments DVD (Garner Creative Concepts, 2002)). [Category: News]

This track documents perhaps the most famous tv car chase in history––the real-life chasing of O. J. Simpson's Ford Bronco by the police after he was charged with his wife's murder. Unfortunately, the chase was somewhat less than exciting. Interviews with the first reporters to find Simpson's vehicle add interest somewhat, but I guess you really had to be there with this one.

Ratings: Camp/Humor Value: *. Weirdness: . Historical Interest: . Overall Rating: .

Atom Bomb (film #408 on Prelinger Archive). [Category: Military & Propaganda]

Newsreel clips from the 50s heyday of atmospheric atomic testing. Some of the more famous test are shown here, including the tests at Bikini Atoll and the Nevada tests where houses of various types were nuked. Lots of spectacular blast footage here, as well as footage of soldiers and sailors being exposed to radiation. Wonder how many of them died of cancer later?

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

American Thrift (film #5 on Lifestyles, U.S.A., Vol. 1 (Something Weird, 2000). Also, film #375 on Prelinger Archive). [Category: Industrial]

This third General Motors "American" film puports to be a tribute to the "Woman American" and her thrifty ways. Basically, the point being made is that Americans are so darn thrifty, especially American women, and our country thrives because of it. The problem with this idea is that this was made in the early 60s, a time when throw-away consumer culture had pretty much taken over, and economic wealth was (and is today) not based on thrift, but on spending, spending, and more spending. The emphasis on savings in the film will particularly make you snicker. Well-dressed wives are shown carefully saving for the things they want in little budget envelopes, not whipping out credit cards like in reality. The point of all of this is not clear––you'd think that a big company like GM would make a film singing the praises of spending and credit instead of saving and thrift––unless it was to lull the indebted public into a false sense of security, at least until the bills come. Apart from that, this film is a wonderful slice of idealized early-60s middle-class life, complete with spotless homes, perfect families, people dressing up for church, women and girls wearing little white gloves when they go shopping, and even a token black family. It's not nearly as sexist as you'd expect given its theme––it's even admitted that some women have careers (though these are made possible by innovations in household appliances) and some families can actually afford to send their daughters to college! It's also much less car-oriented than the other "American" films, perhaps because cars were more associated with men at the time.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: *. Overall Rating: .

America for Me (film #341 on Prelinger Archive). [Category: Industrial]

A woman gives up her teaching career and her hope of earning a master's degree (for which she is writing a "theme" instead of a thesis––I wonder if there are book reports involved, too?) in order to marry a guy from Texas that she meets on a Greyhound bus. Of course, said bus exists in a 50s Jam Handy universe, where every passenger is pleasant, white, and middle-class, and there are no stinky guys, but that only makes it slightly less appalling. More appalling is the fact that everyone the woman meets tries their level best to get her interested in the cowboy, even though it's obvious that she can't exchange two words with him without feeling waves of disgust. Even more appalling is the fact that this peer pressure sinks in after the guy leaves––you can gauge the woman's slow, tragic slide into total mind control by the way her fashion sense, which was no great shakes to begin with, deteriorates throughout the movie. It's enough of a shock to the eyes in the beginning to see the woman's baby-blue eyeglass frames, which are a size usually associated with clowns and novelty stores, and shocking red lipstick that was applied with a trowel, but by the end of the film she is reduced to donning an artificial rose that is the size of the average head of cauliflower, and wearing a black dress with huge red polka-dots, a red hat that matches her lipstick, and little white gloves. And I don't even have any fashion sense, so it must be bad if I mention it! This is not the most appalling thing about the movie, though. The most appalling thing is after the woman throws her future away for the sake of Tex the Drifter, the bus driver, and then the entire bus, breaks into song. Don't say I didn't warn you about this one.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

Bargain Madness (recorded off of Turner Classic Movies). [Category: Hollywood]

30s housewives battle over bargain merchandise as if it all was the Cabbage Patch version of Tickle Me Elmo. A narrator makes fun of them, but he saves his biggest taunts for a fat lady who tries on girdles who are too small for her. This is much too sexist for today's audiences, though we've hardly outgrown the illness being depicted. It is an amusing snapshot of 30s culture, though.

Ratings: Camp/Humor Value: *. Weirdness: . Historical Interest: . Overall Rating: **.

The Alphabet Conspiracy (Rhino, 1991). [Category: Educational]

This Bell Science film introduces the viewer to the science of linguistics, a topic not widely known to the general public, in the partly-animated, slightly silly, slightly trippy Bell Science way. Judy, a schoolgirl with too much English homework to do, falls asleep at her desk and dreams that Hans Conreid as the Mad Hatter tries to involve her in a conspiracy to destroy the alphabet. Before he can get too far, though, friendly old Dr. Frank Baxter, a.k.a. Bunson Honeyd...I mean Dr. Linguistics, comes along and takes Judy under his wing, telling her just about everything she needs to know about language and then some, with the help of animated segments and film clips. Much of the material is quite interesting and even the dry stuff is presented in an interesting way. Conreid is a lot of fun and I only wish his speech patterns had been analyzed by Dr. Linguistics. Like most Bell Science films, this is a lot of fun. As well as being incredibly populuxe and containing the benign presence of Dr. Frank, the film has incredibly huge, clunky-looking "state-of-the-art" computer technology and one of the most fake beatniks in film history (though he's overshadowed when Dr. Frank himself starts talking in beat lingo). The film is both campy and genuinely engaging, which is a great combination for film ephemera. Every educational collection needs at least a few Bell Science films.

Ratings: Camp/Humor Value: **. Weirdness: . Historical Interest: *. Overall Rating: **.

Aurora Stunt and Drag Race Set Commercial (film #416 on Prelinger Archive). [Category: Commercial]

Mildly cute commercial from the 60s for a Hot-Wheels-type racing car set featuring two boys talking in awed tones about same. One of the boys seems to have a cute speech impediment. I think I vaguely remember seeing this one on tv as a kid.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: **. Overall Rating: *.

Blonde (film #26 on Prelinger Archive). [Category: Sleaze & Outsider]

Short, silent stag film of a blonde stripper who takes her undies off for our pleasure, but leaves her garter belt and stockings on. She's also careful not to show us her naughty bits, though she is topless. Actually, this is fairly erotic, more so than this sort of thing usually is.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: ***.

Ask Me, Don't Tell Me.

This film documents the Youth for Service project in San Francisco during the 50s; a project that recruited youth gangs to do various community service projects, usually involving construction, maintenance, or environmental work. The project itself looks quite successful in channeling the gangs into constructive activity; one wonders if it is still going on today and if not, why not. But beyond that, this film is a wonderful document of 50s gang life and teen culture. Gang members narrate certain parts of the film themselves, using almost unintelligible gang lingo. We get to see inner city youth in their own environment, hanging out at various places and amusing themselves in various ways, both acceptable and not acceptable. A whole host of gang jackets and insignia are shown and the film even has a cool homegrown rock-and-roll soundtrack. The adult narrators speak about the youth in surprisingly respectful terms, yet they are not overly idealistic about their project. Their attitude is refereshingly free from either fear or pity. Overall, this is one of the most realistic and best juvenile delinquent films I've ever seen.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: *. Overall Rating: ***.

Arrivee des Congressiates a Neuville sur Saone (film #5 on The Movies Begin, Volume Two: The European Pioneers (Kino Video, 1994)). [Category: Early Film & TV]

Some people disembark a riverboat. Obviously made in the days when film was so new and exciting that people would watch anything. An 1895 Lumiere film.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: **. Overall Rating: *.

And the Curtain Closed (film #4 in the Indie Section of Movieflix (www.movieflix.com)). [Category: Outtakes & Obscurities]

A young man waits anxiously for the results of his HIV test and we get to hear his innermost thoughts, which tell us that his possible exposure was due to cheating on his wife. Talk about regrets. This is rather gutwrenching to watch, yet my empathy was undercut somewhat by the fact that the guy seems so priveleged and his transgression was an act of gross irresponsibility. It also is rather obvious in spots. Still, it does stir some emotion, which is more than I can say for a lot of the other Indie films on Movieflix.

Ratings: Camp/Humor Value: *. Weirdness: **. Historical Interest: *. Overall Rating: **.

California State Highway 101 Opening (film #1808 on Prelinger Archive). [Category: News]

Silent newsreel footage of 20s California bigwigs cutting the ribbon on Highway 101, otherwise known as the Bayshore Highway. There's not even much historical value here, as much of the footage is washed out and what there is is mostly self-congratulatory footage of bigwigs anyway.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: **. Overall Rating: *.

The Army Nurse (film #393 on Prelinger Archive). [Category: Military & Propaganda]

This excellent film from WWII is a tribute to the army nurses who worked tirelessly at the front and at home to care for wounded soldiers. Their experiences are shown in a complete way, from basic training to shipping out to long hours on duty to taking up and putting down field hospitals to using their combat helmets for all kinds of household chores to recreational activities to writing home. We get a real appreciation for how hard they worked and how they really helped ease the suffering of the sick and wounded. This film is an excellent historical document of one aspect of the war that should not be forgotten.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: ***.

Classic Sci-Fi Trailers, Vol. 4 (Sinister Cinema). [Category: Commercial]

Even more science fiction movie trailers, most from the 50s, with a few from the 60s and 70s. More campy fun. Ends with the trailers for Star Wars and The Empire Strikes Back, which is fitting, somehow.

Highlights:

The trailer for Invasion of the Body Snatchers features Kevin McCarthy as a raving lunatic shouting, "You're next!!" A must.
Bride of the Monster is not only "Horrorific and All New!", but "You'll Never Believe It!" I certainly didn't when I saw it.
Creature With the Atom Brain is supposedly "based on scientific fact". This assumes an awfully loose definition of either "based on" or "scientific fact" or both.
The trailer for I Was a Teenage Frankenstein features a scene that is identical to a scene in the trailer for How to Make a Monster.
Gimmick Alert! The Fabulous World of Jules Verne was filmed in Mystamation. The Alligator People is in Screaming Horrorscope! The trailer for The Angry Red Planet repeatedly touts its Cinemagic process, which is really just a red filter in the camera lens.
Seeing the trailers for The Fly and Return of the Fly back to back really shows how much higher class the first film was than its sequel.
I learned from the trailer for King Kong vs. Godzilla that Godzilla has the proverbial brain the size of a walnut, "while Kong is a thinking animal."
The trailer for The Green Slime (pronounced "Greeeeeeennnnn Sliiiimme!") features a little bit of the outrageous faux Jimi Hendrix theme song.
Flesh Gordon, though "a parody of yesterday's superheroes", is "not to be confused with the original Flash Gordon."
Msties, take note: contains the trailers for Bride of the Monster, The Astounding She-Monster, and The Black Scorpion.

Ratings: Camp/Humor Value: **. Weirdness: *. Historical Interest: . Overall Rating: .

Aluminum on the March (film #325 on Prelinger Archive). [Category: Industrial]

This lush 50s film, sponsored by Reynolds Aluminum, may be the quintessential industrial film. It tells us everything we'd ever and never want to know about aluminum, its production, and its uses. Aluminum bars, ingots, and products of various types march in stop-motion animation at various points in the film, led by a little Reynolds Aluminum guy made from aluminum bars. Lots of very well-shot scenes of aluminum production and manufacturing are shown, which should satisfy factory-tour fans. And the scenes of all the different types of aluminum products are a 50s populuxe-lover's dream, with 50s cars, appliances, household products, an extended scene of a 50s housewife in a bright red dress and a chiffon apron in a 50s kitchen using aluminum foil in many different ways, and another long scene of a whole bunch of 50s brand-name grocery products that used foil in their packaging. This is all shot in glaring 50s color and with a bombastic, triumphant soundtrack. I especially love the stop-motion animation, the Reynolds Aluminum guy, and all the 50s grocery products. This is an essential film for industrial film collectors.

Ratings: Camp/Humor Value: **. Weirdness: . Historical Interest: . Overall Rating: *.

Glen or Glenda? (acquired through trading) [Category: Sleaze & Outsider]

This exploitation "documentary" about transvestitism, made by the legendary Edward D. Wood, Jr., is one of the weirdest films ever. Producer George Weiss was just trying to cash in on the Christine Jorgensen brouhaha, but Wood, being a transvestite himself, made an impassioned plea for understanding, marred or enhanced, depending upon your point of view, by Wood's trademark loony dialogue. And in this case, the dialogue is only the beginning of the strangeness. There's Bela Lugosi as a bizarre "puppetmaster" character ("Pull the strings!" he shouts). There's Wood himself playing the title character in and out of drag. There's the bizarre use of stock footage (in this movie, "buffalo shot" means a herd of stampeding buffalo). There's Delores Fuller's Great Moment in Bad Acting as she passionately emotes after her fiancee Glen tells her about his little hobby. And all of that is topped by an absolutely incredible dream sequence––again, experimental filmmakers can only aspire to make something this weird. It all adds up to one heckuva movie. And despite all the laughs, you gotta admire Wood for the guts it took him to make such a personal film with such a nonconformist message, and during the 50s, no less. Highly recommended.

Ratings: Camp/Humor Value: ***. Weirdness: +. Historical Interest: . Overall Rating: ***.

A Date with Your Family Outtakes (reference item on A Date with Your Family, film #4 on Our Secret Century, Vol. 3: The Behavior Offensive CD-ROM (Voyager). Also, film #603 on Prelinger Archive). [Category: Outtakes & Obscurities]

Silent outtakes from that classic of suburban horror, A Date with Your Family. Watch how hard those actors had to practice in order to follow the "few simple rules" of harmonious family dining. Watch how hard it was for the actress who played "sister" to keep from cracking up.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: **. Overall Rating: *.

AMC Jeep Commercial (film #340 on Prelinger Archive). [Category: Commercial]

White water rafting! Hot air balloons! Cowboys! This is actually the opening credits for a 70s tv show called "The American Adventure," sponsored by Jeep. At least there's a little Jeep footage at the end.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: ***. Overall Rating: *.

Beware (film #1 in the Black Culture section of Movieflix (www.movieflix.com)). [Category: Sleaze & Outsider]

This 40s all-black cast film starring Louis Jordan is really just a Louis Jordan delivery system. Jordan gets waylaid at his old alma mater, Ware College, where he foils a plot by evil Benjamin Ware III to bilk the college out of its endowment and trick a pretty former classmate of Jordan's into marrying him. Jordan does all of this in about 5 minutes, because the rest of the 55-minute film is music. Literally. Fortunately, Jordan can really swing, so the songs are great fun, especially "Beware, Brother, Beware!", which is one of my favorites. A thoroughly charming bit of swingin' fun.

Ratings: Camp/Humor Value: **. Weirdness: . Historical Interest: *. Overall Rating: **.

Always on Call (film #327 on Prelinger Archive). [Category: Public Service]

A policeman visits a sick old lady and tries to get her to accept help from the Community Chest. This gives him a chance to give a spiel that's really designed to get all the audience members to give to the Community Chest. Still, this is a charming film with a message that's not too heavy-handed, focusing on all the good the charity does. This was filmed in St. Louis and it gives you a nice historical snapshot of that city's social services during the 40s.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: *. Overall Rating: .

Audio Test #4 (film #7 in the Indie section of Movieflix (www.movieflix.com)). [Category: Outtakes & Obscurities]

A guy who makes videos tries to seduce a woman by asking her to do an audio check with him. He is unsuccessful until he makes the claim that fat women are better lovers. There's some talent evident here but it probably won't come into fruition until the guy's hormone levels go down.

Ratings: Camp/Humor Value: . Weirdness: *. Historical Interest: . Overall Rating: .

Black Power: The Protest at the 1968 Mexico City Games (track #28 on Stay Tuned: Television's Unforgettable Moments DVD (Garner Creative Concepts, 2002)). [Category: News]

This "unforgettable moment" of athletes Tommy Smith and John Carlos giving the Black Power salute when receiving their medals at the 1968 Olympic games has been greatly enhanced by interview footage from Smith, who tells us why he did what he did, the fallout of it, and what he thinks about it now. All I can say is that Smith is one courageous person. One of the best tracks on the Stay Tuned DVD.

Ratings: Camp/Humor Value: N/A. Weirdness: . Historical Interest: *. Overall Rating: **.

The Arm Behind the Army (film #392 on Prelinger Archive). [Category: Military & Propaganda]

The "arm behind the army" is Industry! Working to make the world safe for democracy! This is the quintessential WWII industrial incentive film. Stirring narration and rousing music tell the story of how workers in Allied nations are playing a vital role in winning the war, which will free the enslaved workers of Axis nations. The pro-worker line is a tad bit hypocritical when you consider how "pro-worker" American business was before the war. Still, even that was a lot better than the way the Axis was treating its workers, which was little better than, and sometimes not better than slave labor. An interesting bit of probably effective wartime propaganda.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: *. Overall Rating: .

All in One (film #317 on Prelinger Archive). [Category: Industrial]

This Jam Handy production for Chevrolet has one of the flimsier premises. It starts out as a salute to dogs and how they serve human beings in various ways. Then it segues to a story about a kid with a dog cart and how he and his buddies adapt the cart for better speed and performance––the finished cart looks incredibly silly. All this is supposed to have something to do with how great Chevrolets are but the connection is really stretching it. It must have been a slow idea day at Jam Handy when they came up with this one.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

Mt. Rushmore Newsreel (extra on Mt. Rushmore-Crazy Horse & the Black Hills DVD (Holiday, 2001)). [Category: News]

This is actually not a single newsreel, but a collection of newsreel clips documenting the carving of Mt. Rushmore, starting in the 20s and ending in the 50s. The clips are unedited, except for the addition of a dorky MOR soundtrack to the silent clips. The clips form an interesting document of newsreel coverage of the monument's creation. But what happened to the soundtrack of the 50s clip of President Eisenhower dedicating the memorial? Film quality is not too good, but still watchable. Despite its flaws, I think this was worth including on the Mt. Rushmore-Crazy Horse DVD.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

The Atomic Cafe (The Archives Project, 1982). [Category: Military & Propaganda]

This classic montage of Cold War ephemera was one of the first things to whet my interest in the subject. There's no narration here––just clips from Cold War ephemera from the late 40s and early 50s strung together to create a fascinating portrait of the era. As far as I know, there are only two other films that are similar montages: Brother, Can You Spare a Dime? (about the Depression) and Swastika (about Nazi Germany) (though if anybody knows of any others, be sure to let me know!). The soundtrack contains lots of popular songs with Cold War and atomic themes, such as "Jesus Hits Like an Atom Bomb" or "Atomic Cocktail". There's tons of jaw-dropping moments here, such as the residents of St. George, Utah, who were accidentally hit with radioactive winds after a bomb test, being told to close their windows for an hour; the assertion that the native residents of Bikini Atoll welcomed having their island destroyed by an a-bomb test because it provided them with a break in their dull, drab routine; or the assertion that Japan may have to be hit with 4 or 5 atomic bombs before they will believe that the U.S. has such a weapon. There's so much stupidity here (we're told that the "simple" Bikini natives "know as little about the atom bomb as we do") that I'm amazed we didn't blow up the world back then. A must.

Ratings: Camp/Humor Value: ***. Weirdness: . Historical Interest: . Overall Rating: ***.

American Look.

This lavish, Technicolor, widescreen film, sponsored by General Motors, purports to be a salute to "stylists" (read industrial and graphic designers), but it actually had an ulterior motive––to justify GM's annual model changes. It doesn't get any more "modern" than this––using the word to mean both design influenced by Modernism in art and what was the "latest thing" in the 1950s. Images of one brightly colored, modernistic gadget or home furnishing after another are shown, while the narrator tells us how modern Americans (meaning attractive, upper middle class white Americans) are concerned more than ever before with the look of things. The people, though, definitely take a back seat to the "stuff" in this film. And all the stuff is shown as existing primarily for looks––even the items with practical functions are not shown being actually used. A few items are demonstrated, but only like they would be in a store, i.e. an electric mixer is shown spinning in an empty glass bowl. The film concludes with a "behind the scenes look at the design process", as we see designers working on the 1959 Chevrolet behind locked doors. We get to see that it was essentially designed by a committee and that the "best elements" from every designer's work were combined to make a composite that was supposed to be greater than the sum of its parts. This car was the one with the back end that was one big set of tailfins––it's hard to believe now that this was considered "great design" in its time, though it was (at least in this film). The incredible populuxe attitude that infuses this film, and all the examples of modern design, make this a real 1950s time capsule.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: *. Overall Rating: **.

Bambi Meets Godzilla (film #1 on Weird Cartoons (Rhino, 1987) Also, extra on Godzilla and Other Movie Monsters (Passport Video, 1998). Also, film #7 on Godzilla Trailers & Sci-Fi Monsters (Simitar Entertainment, 1998)). [Category: Hollywood]

A classic. I won't give away the ending, but if you haven't seen this, you definitely need to. Interesting trivia: Apparently, Marv Newland made this as a class assignment at the last minute! Shows what a little deadline pressure can do.

Ratings: Camp/Humor Value: ***. Weirdness: . Historical Interest: . Overall Rating: *****.

Allen Carpet Commercial (film #323 on Prelinger Archive). [Category: Commercial]

A housewife is served coffee and mints by a solicitous carpet salesman who wants to please her so much it hurts. And it hurts to watch him. A mildly amusing bit of commercial flotsam from the 60s.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

Because of Eve extras (extras on Because of Eve (Something Weird)). [Category: Sleaze & Outsider]

To complete the "roadshow" theme, I guess, Something Weird threw on a bunch of really weird psychedelic stripper footage to the end of this tape. Strippers switch back and forth between positive and negative film images, get tormented by black blobs drawn on the fim stock, interact in a disturbing way with snakes, and generally behave in a trippy fashion. Weird, man, weird.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: *.

Along the Way (film #324 on Prelinger Archive). [Category: Public Service]

This 60s film gives a glowing report on the progress of building the BART (Bay Area Rapid Trasit) subway and interurban train system in the San Francisco bay area. Endless footage of construction is shown while the narrator tells us how wonderful it and good for the city it will all be. Whether or not it fulfilled this rosy promise is not for me to say, since I've never been to San Francisco. I guess this film has some historical value, though.

Ratings: Camp/Humor Value: *. Weirdness: . Historical Interest: . Overall Rating: .

Alphabet Antics (MST3K Episode #307: Daddy-O). [Category: Educational]

Kindergartners are taught the alphabet through the use of stock footage. Seriously, it seems like the only criteria used for choosing what will represent each letter is what stock footage they had lying around, and if they didn't have anything good for a particular letter, they just used what they had and stretched it (example: "T" is for "trying terribly hard" and the visual is some bear cubs trying to reach baby bottles hung from a string just out of their reach––Tom Servo says "T is for tormented, tortured, and teased!" which would fit just as well). Some of the stock footage looks positively ancient. The msting is pretty good.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Msting: . Overall Rating: *.

Arrival of Express at Lyons (film #2 on Pioneers of the French Cinema (Hollywood's Attic, 1996). Also, film #6 on The Movies Begin, Volume Two: The European Pioneers (Kino Video, 1994) (titled "Arrivee d'un Train")). [Category: Early Film & TV]

A train pulls into a station going 15 miles per hour. A bunch of people get off and get on. No other train pulls into no other station on no other track. How long is your interest held? Show your work. An 1895 Lumiere film. The version on The Movies Begin is in much better shape than the version on Pioneers of the French Cinema.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: **. Overall Rating: *.

The Auction (film #6 in the Indie Section of Movieflix (www.movieflix.com)). [Category: Outtakes & Obscurities]

This film features a high-class art auction in which some of the participants are dangerous psychos and most of the other participants are merely annoying psychos. Natually, things degenerate into chaos eventually. This mostly elicits a big "huh?", but it is a lot better than most of the other Movieflix Indie films I've seen so far. Some of the characters are pretty interesting and the humor is generally above college freshman level, which it deserves some credit for. Still, I think it would be better if it were just a little bit less obtuse.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: ***.

The Big Bounce (film #450 on Prelinger Archive). [Category: News]

This film, made by Bell Labs, documents the first satellite telephone transmissions, using a satellite balloon named Echo. Considering how ubiquitous satellite communications are today, this is rather quaint to watch. It's pretty straightforward and well-made, with some mstable moments. President Eisenhower's recorded message, back with "America the Beautiful" is schmaltzy as all get-out. Overall the film is a mildly interesting bit of history.

Ratings: Camp/Humor Value: *. Weirdness: . Historical Interest: **. Overall Rating: *.

Appointment in Tokyo (film #2 in the WWII section of Movieflix (www.movieflix.com)). [Category: Military & Propaganda]

This film documents the war in the Pacific during the last months of WWII, especially the drive to re-take the Phillipines. Battle and tactical footage is interspersed with interesting sequences that dramatize the GIs' thoughts, as well as fairly grisly footage of the dead, the wounded, and the suffering. The film ends with scenes of the formal Japanese surrender on the U.S.S. Missouri. All in all, it's an interesting document of the last days of the war, from an American perspective. Especially interesting is some of the footage of the infantry slogging away through the mud––you really get a sense of what it must have been like to have been one of them.

Ratings: Camp/Humor Value: N/A. Weirdness: . Historical Interest: *. Overall Rating: **.

The Alchemist in Hollywood (film #312 on Prelinger Archive). [Category: Industrial]

Hollywood film processors try to show us how exciting their career is by making the most boring film ever. They start by writing a script that tells us in excruciating detail the exact chemical processes of film development. They hire boring narrators to carefully and slowly read the script word-for-word (at one point, you actually hear one of them turning the pages!). They illustrate this science lecture with such exciting visuals as plain title cards with chemical formulas on them, disembodied hands mixing things in beakers, and bored-looking technicians doing their jobs with grim determination. Isn't Hollywood an amazing land of dreams?

Ratings: Camp/Humor Value: . Weirdness: *. Historical Interest: **. Overall Rating: .

Classic Sci-Fi Trailers, Vol. 3 (Sinister Cinema). [Category: Commercial]

Still more science fiction movie trailers from the 50s and 60s. This tape contains a lot of trailers from particularly campy movies, so lovers of cheese should enjoy it. Ends with a bang with the trailer from 2001: A Space Odyssey.

Highlights:

Did you know that Them! is an acronym for Terror, Horror, Excitement, and Mystery?
The trailer for The Giant Claw actually shows the monster! What were they thinking? (And if you've never seen this, the single most ridiculous-looking monster in screen history, you are sorely deprived and need this tape!)
The Brain Eaters will "burst your blood vessels with suspense"! And if that's not enough, see Attack of the Giant Leeches, where "fear will pierce your flesh"!
Journey to the Center of the Earth stars Pat Boone and Gertrude the Duck! See their journey through the Mammoth Mushroom Forest!
The Hideous Sun Demon breaks into the lab of "Atomic Research, Inc." Gee, I wonder what that company's business is?
Gorgo is as "incredibly realistic" and "shockingly convincing" as Robot Monster.
Gimmick Alert! Mysterious Island is filmed in Superdynamation!
Msties, take note: contains the trailers for Revenge of the Creature, This Island Earth, The Crawling Eye, I Was a Teenage Werewolf, The Unearthly, Attack of the Giant Leeches, Gorgo, The Horror of Party Beach, and Thunderbirds Are Go.

Ratings: Camp/Humor Value: **. Weirdness: *. Historical Interest: . Overall Rating: .

The Flying Saucer Mystery (Sinister Cinema). [Category: Sleaze & Outsider]

This short exploitation "documentary" about flying saucers is pretty much what you'd expect, and that means it's pretty campy. There's the usual array of blurry photographs of barely visible round objects in the sky, local yokels giving eyewitness reports, scientists pooh-poohing it all, and air force generals reassuring us that they found no threat to national security from all this. An extra element of weirdness is provided by the aerodynamically-sound ears on most of the people in the film, including a real pair of whoppers on UFO expert Donald Keyhoe. Lots of fun. Sinister Cinema rounded out the tape with a selection of 50s sci-fi movie trailers with an alien invasion theme.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

The Airport (film #308 on Prelinger Archive). [Category: Educational]

This straightforward Encyclopedia Brittanica film about airports is pretty dull in and of itself, but it has tremendous msting potential. With lines like "Here is the pilot. He is high in his plane," and "The passengers are waiting to get off," how can you resist? And when you see how small and low-tech the airports are and how easy it is for passengers to get on a flight, you will probably have a lot of post-9/11 hostility to vent.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: *.

America Goes Over (film #343 on Prelinger Archive). [Category: Early Film & TV]

This is a sort of This Film Is Restricted for World War I, which is surprising, because I didn't know such a thing existed. This 1918 U.S. Government war newsreel tries its best to give the viewer a complete picture of what it was like Over There. The usual battle scenes are interspersed with fascinating human interest stuff, such as recruits getting their teeth inspected, Salvation Army volunteers handing out doughnuts, doughboys getting their heads shaved, KP, slop buckets, trench digging, interrogating German prisoners, animal mascots, and yes, dead bodies (though shown only briefly and without a lot of blood). Many of the title cards have cartoon drawings of doughboys in various humorous situations (for example, check out what the cartoonist counts as "decorations"). Kudos to the Prelinger Archive for preserving this––it has incredible historical value.

Ratings: Camp/Humor Value: N/A. Weirdness: . Historical Interest: +. Overall Rating: ***.

Alexis Lichine Wine Commercial (film #338 on Prelinger Archive). [Category: Commercial]

Standard, unremarkable early 60s wine commercial. It does have a good shot of a cork coming out of a bottle with a loud pop, if you're looking for footage of that.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: **. Overall Rating: *.

Beauty and the Beast (extra on The Beast That Killed Women/The Monster of Camp Sunshine DVD (Something Weird, 2001)). [Category: Sleaze & Outsider]

Hey! I've got an idea! Wouldn't one of these burlesque dancing shorts be a lot better if a guy in a gorilla costume came out and ripped the woman's clothes off? A guy in a really bad gorilla costume?? This definitely goes into the "I can't believe I'm watching this" category. I'm sure this is what the woman in the film went to dancing school for.

Ratings: Camp/Humor Value: **. Weirdness: *. Historical Interest: . Overall Rating: **.

All the Way Home (film #319 on Prelinger Archive). [Category: Public Service]

Remember the 50s, folks? Remember what a better, simpler time it was? Remember how people lived in nice safe neighborhoods where it was safe for children to play? Unless, of course, you show the house you are selling to an African-American family. Then tongues will wag, telephone harassment will ensue, and your grandchild will get a can of black paint thrown at her from a moving car. Ah yes, racism. That was a part of the 50s, too. This film about housing discrimination serves as a reminder that it really wasn't so long ago that most white people were sure that the presence of a single black family in their neighborhood would turn it into a slum, realtors made under-the-table agreements with banks to turn down mortgages from African-Americans who wanted to move into the "wrong" neighborhood, home sellers were harassed for even showing their houses to persons of the wrong skin color, and it was all because of ignorant stereotypes on the order of "they smell" or "I've got two daughters to protect!" One interesting point the film makes is the implication that the local realtor may be stirring up racial fears in order to drum up more business. It also shows how courageous you had to be to buck this tide. An excellent, intelligently-made document of a 50s social problem that is worth watching now, lest we allow ourselves to slip back into those old ways.

Ratings: Camp/Humor Value: N/A. Weirdness: . Historical Interest: *. Overall Rating: ***.

Creation excerpts (film #7 on Creature Silent Feature (Creepy Classics). Also, extra #3 on Dinosaurs! (Simitar Entertainment, 1993). Also, film #6 on Willis O'Brien Films (LS Video)). [Category: Outtakes & Obscurities]

Scenes from Creation, an unfinished 1931 film with stop-motion animation done by Willis O'Brien (the man who animated King Kong). Stop motion dinosaurs frolic on a jungle set along with various zoo animals. The highlight is a very upsetting scene of a really cute baby triceratops getting shot by a Great White Hunter. The final scene is of the mama triceratops chasing the hunter, and you will definitely be rooting for the dinosaur all the way. An interesting relic, especially for animation fans.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: **. Overall Rating: *.

The Antiques Toadshow (film #4 in the Indie Section of Movieflix (www.movieflix.com)). [Category: Outtakes & Obscurities]

This parody of "The Antiques Roadshow" would have probably been a lot funnier if it had been written by somebody over the age (or mental age) of 20. As it is, one segment makes fun of dumb blondes, one segment makes fun of old women, and one segment makes fun of people from South America. This would be offensive but it's just way too lame. And where are all the toads?

Ratings: Camp/Humor Value: *. Weirdness: **. Historical Interest: . Overall Rating: .

ABC News Good Morning America (film #2 on Television Archive). [Category: News]

Why has a recent episode of "Good Morning America" been preserved on the internet? Well, the date of broadcast was 9-11-01––does that give you a clue? The Television Archive contains streaming videos of 9-11 "we interrupt this program" footage from around the world. This 30-minute clip of "Good Morning America" is mostly ordinary and uneventful: a veterenarian talks about special pet food that increases the lifespan of dogs and cats, the lead actor of "The Mind of a Married Man" talks about the premiere of that show, the weatherman makes silly comments about audience members (this segment just screams "slow news day"), Sarah Ferguson talks about Weight Watchers, cut to commercial. And then the biggest news story in years breaks. This doesn't happen until about 3/4ths of the way through the clip, so be patient. This is real "we interrupt this program" stuff, as the GMA hosts are totally confused about what has just happened and are flailing around to find things to say. They make contact with an ABC reporter on the scene, who tells them he heard the initial explosion and is sure it wasn't a prop plane that crashed into the building, but thinks it might have been a missle. This is exactly the sort of thing I really want to collect for the News category––breaking news stories exactly as they were originally broadcast. The Television Archive deserves a lot of credit for preserving this stuff. Unfortunately, the site is rather undependable––sometimes you can watch the footage and sometimes you can't. I encourage readers who are unsuccessful with the archive to keep trying at other times. Eventually, you'll pick a day when the site is working properly and the footage is worth the effort.

Ratings: Camp/Humor Value: N/A. Weirdness: . Historical Interest: +. Overall Rating: ***.

An Answer (film #385 on Prelinger Archive). [Category: Military & Propaganda]

JFK, along with LBJ, members of Congress (is that Gerald Ford having breakfast with the enlisted men?), NATO representatives, and other bigwigs, inspects the Navy and Marines, who do their best to give him the best show possible. Military buffs will probably enjoy this, as it contains lots of ships, planes, and things blowing up, but others will probably find it rather dull, though there is some eerie footage of JFK riding in an open car. And it does have historical value as a document of state-of-the-art military hardware and techniques from the early 60s.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: **. Overall Rating: *.

Life Looks Back (Goodtimes, 1989). [Category: News]

Another "photo album" of news-bites, coincidentally starting just about where Headline Stories of the Century leaves off––early 60s––and going on through the 70s and 80s. This time it's tv news footage we're seeing, but it just isn't as interesting as the other tape, mainly because they focus on the big news stories instead of the silly pop culture stuff of the other tape. And they deal with each story so briefly that it really doesn't tell you anything new about it. Only of marginal interest.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

Alaska's Silver Millions

Millions of salmon, that is. This well-made film, sponsored by the American Can Company and narrated by "the glacier priest," first gives an overview of Alaska's geography, then shows us the life cycle of the salmon from birth to spawning, then shows how the salmon are caught and canned in Alaska's biggest pre-oil industry. It's part travelogue, part nature documentary, and part industrial film, and all three parts are quite well done and interesting. Some of the more spectacular scenes include glaciers breaking apart, salmon fighting their way upstream, thousands of salmon being caught in huge nets and traps, and the amazing, fully-automated canning process, where salmon go from live ocean fish to canned food product in the space of 12 hours. This film has a great deal of historical value and is also one of the better factory-tour-type industrial films. Corporate propaganda is kept to a minimum, probably because the visuals speak for themselves.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: *. Overall Rating: **.

American Harvest.

This slick, GM-sponsored film, part of the series which produced American Look, at first seems to be a tribute to farmers and miners and all others who produce raw materials. But there's something a little off about the tribute--corn is for making plastics and synthetic rubber, sugar is for carbon and lampblack, cattle are for producing leather--none of these raw materials seem to be for the purposes we usually think they are for. And then it becomes clear after awhile--these are all materials that are used to make cars. And the uses the auto industry makes of these materials are shown to be the only really important uses. Just about when we figure this out, the film turns into a sort of 50s version of Master Hands, only with much less effective visual imagery and lots of bombastic narration to tell us what we're supposed to think. And what we're supposed to think is that what's good for General Motors is good for the country. This becomes all too clear in the final segment of the film, in which we get to see how much the automobile has changed our lives and how wonderful it all is. I mean, isn't it great that we get to go to drive-ins and eat in the car instead of going to eat at a stuffy old sit-down restaurant? Or that rural children are bused to large consolidated schools with lots of other children instead of walking to small one-room schoolhouses? Or that boring old downtown business districts have been replaced with shiny new shopping malls in the suburbs? There's a large dose of the kind of corporate religion spouted in Round and Round, too--the word "interdependent" is used in practically every sentence. This film is rather boring and ordinary on the surface, but the more you think about it, the more appalling it becomes.

Ratings: Camp/Humor Value: . Weirdness: *. Historical Interest: **. Overall Rating: *.

Balloon Land (film #20 on The Cartoons That Time Forgot: The Ub Iwerks Collection, Vol. 2 DVD (Image Entertainment, 1999). Also, film #10 on The Cartoons That Time Forgot, Volume 3: Things That Go Bump in the Night (Kino Video, 1993)). [Category: Hollywood]

It doesn't get more "toony" than this, and that's great. Imagine a land where everybody is a balloon. Who would be their arch-enemy? Pincussion Man, of course! A delightful example of 30s wacky, rubbery animation at its best.

Ratings: Camp/Humor Value: **. Weirdness: *. Historical Interest: . Overall Rating: ***.

ABCs of Walking Wisely (film #282 on Prelinger Archive). [Category: Educational]

This Sid Davis children's pedestrian safety film features an annoyingly cheerful and self-righteous female narrator, a cheerfully upbeat and annoying soundtrack, primitive cartoons of anthropomorphic letters of the alphabet, and lots of scenes of kids almost being hit by cars, enough so that you start to wonder about the safety of the child actors in the film. Its premise, that both good and bad pedestrians can be likened to letters of the alphabet, is absurd, but that's par for the course for this kind of film. For a Sid Davis film, this is remarkably mild, though there is a scary scene of one kid almost getting picked up by a hitchhiker, and in Sid Davis' world we all know what that means (except for the narrator, who stupidly supposes the motorist in question might be a "bad driver"). And you don't want to know what the "X-walker" is (though fortunately he is not graphically portrayed). I want the original drawings of the anthropomorphic letters for the Film Ephemera Museum of Quirky Devices.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

All-American Soap Box Derby (film #322 on Prelinger Archive). [Category: Educational]

General Motors sponsored this film, as well as the derby, which was supposed to be a tribute to the "All-American Boy." The bombastic narration lends a campy air to the proceedings, which is good, because otherwise they'd be pretty dull, especially the awards banquet at the end. Campy moments include the opening montage of "friendly competition," which goes from friendly games of marbles on to progressively more aggressive sports, such as football, wrestling, and boxing, all while the narrator expounds on how this builds character; the closing montage of faces of boys dissolving into each other, seemingly communicating a message of conformity, and the closing assertion that these boys would go on to fight other battles which is superimposed over an American flag––considering the timing of the film you can't help wondering how many of them would die in World War II. A ripe film for msting.

Ratings: Camp/Humor Value: **. Weirdness: *. Historical Interest: . Overall Rating: .

The Arnold Stang Show (track #10 on TV Turkeys (Rhino, 1987)). [Category: Early Film & TV]

This five-minute early 50s "short-short" show featuring comedian Arnold Stang is both lame and weird. The jokes are lame and sexist, but Stang also adds short film clips to try to punch things up, which makes it weirder than it might be otherwise. He gets a lot of mileage from a rather upsetting clip of a man hitting a woman––this was supposed to be funny? Deserves its presence on TV Turkeys.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

Abolene Creme Commercial (film #284 on Prelinger Archive). [Category: Commercial]

This 60s cold creme commercial features a model whose face has been divided in half by a dotted line so that a comparison can be made between Abolene Creme (they keep calling it a "warm cream"--ugh!) and The Other Leading Brand (remember them?). This is mildly weird and objectifying. There's also some fairly disgusting greasy skin footage. Other than that, this is pretty standard.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: *.

Afro Mood Burlesque (film #300 on Prelinger Archive). [Category: Sleaze & Outsider]

A Hispanic exotic dancer shakes her booty to some hot Latin rhythms. Then she appears in a different costume to rhumba the night away. During this segment, she does some acrobatic tricks, such as doing a complete backbend and picking up a handkerchief in her mouth, and doing the splits. Mostly, though, she just shakes her booty. All in the name of multiculturalism, of course. What this has to do with Africa, though, is questionable.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: *. Overall Rating: .

Agriculture - New Farms from Grand Coulee (film #7 on Prelinger Archive). [Category: Public Service]

This short film announces the opening of the Grand Coulee Dam and explains the benefits of the dam, both in terms of irrigation and electricity generation. That's it, really, though there's some historical value here.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: **. Overall Rating: *.

Amusement Park (film #332 on Prelinger Archive). [Category: Outtakes & Obscurities]

This is a home movie of a Cub Scout trip to Disneyland during the 60s. The rawness of it gives you a real sense of what a visit to the place must have been like back then. Most of it doesn't look that much fun, but everybody is smiling, so what do I know? I do like the dorky-looking car ride and the spinning teacups, though.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: **. Overall Rating: *.

Classic Sci-Fi Trailers, Vol. 2 (Sinister Cinema). [Category: Commercial]

More science fiction movie trailers, again mostly from the 50s, and again, lots of fun. This tape gets 5 extra points for throwing in some drive-in snack bar promos and ephemera.

Highlights:

Gimmick Alert! Richard Carlson tells us all about 3-D in the trailer for It Came from Outer Space.
Certain scenes in Robot Monster "will terrify you with their brutal reality!" See the movie to find out why we're all snickering.
You too will be petrified by The Man Who Turned to Stone!
The Monster of Piedras Blancas is "a claw-fingered, scaly-skinned, half- human crustacean!" The movie itself is "the screen's Monsterama of incredible sights and frights!" It was named "the most brain-paralyzing shock story of them all!" Just who writes this stuff, anyway?
The severed head in The Brain That Wouldn't Die was "a woman defying society's conventions!"
Beyond the Time Barrier takes place exactly "64 years into the terrifying future!"
Msties, take note: contains the trailers for Robot Monster, Terror from the Year 5000, Night of the Blood Beast, The Brain That Wouldn't Die, and The Leech Woman.

Ratings: Camp/Humor Value: **. Weirdness: *. Historical Interest: . Overall Rating: .

Berkeley Fire, 1923 (film #444 on Prelinger Archive). [Category: News]

More newsreel footage from the same fire documented in Berkeley, California Fire. This clip features some hyperbolic title cards ("BERKELEY BURNS!") and footage of people trying to salvage random possessions, including one thoroughly befuddled guy who doesn't know what to do with a mirror. Like the other film, this has mostly historical value.

Ratings: Camp/Humor Value: *. Weirdness: . Historical Interest: . Overall Rating: .

Fan Dance Starring Sally Rand (film #6 on Exploitation Mini-Classics, Vol. 1 (Sinister Cinema)). [Category: Sleaze & Outsider]

Fan dancing was quite the racy thing in the 1930s, though it wouldn't raise an eyebrow today. It basically consists of a woman who just might be naked dancing with a couple of large fans that cover her body most of the time, but sometimes briefly reveal areas of the body that aren't usually revealed. The point was supposed to be the tease that if you watch really closely, maybe you could catch a glimpse of the dancer's naughty bits. Sally Rand was the queen of fan dancers, though it's hard to tell why in this short, since it's obvious she's wearing some sort of body stocking under the fans, which lowers the titillation factor considerably.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

A-Bomb Blast Effects (film #281 on Prelinger Archive). [Category: Military & Propaganda]

This is a silent fragment of a color military film of an early atom bomb test. Even without the soundtrack, it's pretty interesting, as it is filled with fascinating images and it gives a real feel of what such tests were like to the soldiers who had to endure them. Some arresting images include several signs promoting secrecy (such as “If You Wouldn't Tell Stalin, Don't Tell Anyone Else"––I want these for the Film Ephemera Museum of Quirky Devices), GIs prematurely emerging from their foxholes only to be surprised by the bomb's aftershocks, comparison footage of war materials and dummy soldiers before and after the blast, and the final uninterrupted footage of the blast itself, which makes the camera shake and almost burns out the film with the intenisty of its light. Again, it's too bad the soundtrack is missing, but this is a great historical document anyway and it would make wonderful footage for documentary filmmakers.

Ratings: Camp/Humor Value: N/A. Weirdness: . Historical Interest: . Overall Rating: **.

Clutch Cargo: The Friendly Headhunters (film #34 on Chicago Television (Hollywood's Attic, 1996)). [Category: Outtakes & Obscurities]

Animation was never more limited than this ultra-cheap kiddie cartoon. Yet it was also very surreal, as this series had a unique gimmick: character's mouths were animated by pasting on live action footage of the voice actor's mouths actually saying the lines. The effect is a lot weirder than this description can do justice to. That and the fact that the animation was only about a half a step away from still pictures made this cartoon real nightmare fodder––persons I've known who saw it as a kid never, ever forgot it. If you didn't see it as a kid, the Chicago Television tape gives you a chance to see it now. Happy nightmares!

Ratings: Camp/Humor Value: **. Weirdness: . Historical Interest: . Overall Rating: **.

In the Mountains of the Moon (film #3 on NASA DVD (Madacy Entertainment, 1999)). [Category: News]

This film documents the Apollo 15 lunar mission, in which the lunar module landed in a mountainous area of the moon and many important geological samples and data were gathered. Unfortunately, this is one of the duller missions to watch. Still, there are a number of interesting small moments, such as the astronauts bantering with Mission Control and each other, an astronaut putting the first interplanetary postmark on a letter, and the astronauts honoring those previous astronauts and cosmonauts who died during their missions by placing a plaque on the moon with their names, along with a small astronaut figure (I can't help but wonder how anthropologists thousands of years from now will interpret such a shrine).

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: **. Overall Rating: *.

Airport America (https://archive.org/details/AirportA1954#).

This 50s film tries to sell the idea that all small towns need airports. It predicts a future where darn near everybody in every town flies all over the place. Except in remote areas where there is little ground transportation, such as Alaska, it was not to be. But they sure tried hard to make it so in this film, which gives it some mild camp value, as well as some historical value. There are some mstable moments, too, such as the overly literal beginning, where the narrator importantly intones, “Cars. Buses. Churches," over a scene of cars, buses and churches; or the section on planes spraying insectisides all over the countryside, where the narrator says, “This has indirect effects on us all," which is true, but not in the way he thinks. And the soundtrack music is some of the most bombastic I've heard in awhile. It all adds up to a moderately entertaining film, not great but not bad either.

Ratings: Camp/Humor Value: **. Weirdness: *. Historical Interest: . Overall Rating: .

Aqua Frolics (film #388 on Prelinger Archive). [Category: Hollywood]

Both sea animals and humans frolic in the water in this lively newsreel featurette. Some of the more interesting segments include an underwater Thanksgiving dinner, madcap speedboat races, and a rather pathetic game of underwater basketball. Mildly entertaining, as these featurettes usually are.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: *.

The Atom Strikes (film #4 on Atomic Scare Films, Vol. 1 (Something Weird, 1996)). [Category: Military & Propaganda]

This is an official army film documenting the destruction of the two atomic bomb strikes on Hiroshima and Nagasaki. It's very dry, in the style of the Combat Bulletins and Weekly Digests, but the subject matter is awe-inspiring. The destruction of property is on a scale never seen before or since (and let's hope it stays that way). No human injury footage is shown, but they do include an eyewitness account of the blast from a German Jesuit priest who was four miles away from ground zero. An important historical document.

Ratings: Camp/Humor Value: N/A. Weirdness: . Historical Interest: *. Overall Rating: **.

All's Fair at the Fair (film #6 on Cartoon Crazys: Sci-Fi (WinStar Home Entertainment, 1999)). [Category: Industrial]

A couple of local yokels go to the 1939 New York World's Fair and sample some modern technology. Mostly this consists of wildly creative coin-operated robot-driven devices. My favorite is the house-builder, which uses the principle of the cocktail shaker. The cartoon ends with the couple buying a unfold-it-yourself new car out of a vending machine––wouldn't that be great? This cartoon was made by Dave Fleischer and it has some of his trademark art deco styling found in the Superman cartoons.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: **.

Back of the Mike

The production of a live radio western is shown here, and we get to see how they do all the sound effects and stuff. We get to see such things as one guy doing both voices in a conversation, an adult do a very convincing impersonation of a child's voice, guys playing cowboys impersonating the sound of conversing while riding by playing "horsie" while reading their lines, and all the weird stuff used to make sound effects. It's all quite interesting, especially from a historical perspective.

Ratings: Camp/Humor Value: **. Weirdness: . Historical Interest: *. Overall Rating: **.

Alcoholism (film #4 on Boozers & Losers, Vol. 1 (Something Weird, 2000)). [Category: Educational]

This film documents the case history of Ed, a gray-flannel-suited alcoholic who hits bottom after going on a bender and missing his son's birthday. He tries to make up for it by taking out his last 5-dollar bill and buying that catcher's mitt his son always wanted (though a few seconds ago he told us he was "flat broke") only to come home to an empty house and a "Dear Ed" letter. Fortunately, he goes into treatment, his shrink gets his wife and his boss involved, Ed stops drinking and goes to group therapy where he learns he is not alone in his problems, and everything ends up hunky dory. This probably represents the state of the art of alcoholism treatment in 1951, making it an interesting historical document. Not that it's not pretty campy as well. A segment with lots of skips in it caused my husband to quip "Oh, I've got it! He drinks to fill in the empty spaces between the missing frames!"

Ratings: Camp/Humor Value: **. Weirdness: *. Historical Interest: . Overall Rating: .

Arab Cortege, Geneva (film #21 on The Movies Begin, Volume One: The Great Train Robbery and Other Primary Works (Kino Video, 1994). Also, film #21 on The Art of Cinema Begins (Video Yesteryear, 1997)).

A bunch of Arabs parade past "Des Fees" office in Geneva. That's it really, but like a lot of these really early films, it does generate some interest for being a slice of life in the Gay 90s. An 1896 Lumiere film. The version on The Movies Begin has better film quality than the one on The Art of Cinema Begins.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: **. Overall Rating: .

Classic Sci-Fi Trailers, Vol. 1 (Sinister Cinema). [Category: Commercial]

Science fiction trailers, mostly from the 50s, which is good because that's when they made 'em campy. A good selection of both classic and classically bad sci-fi movies of the period. Film and video quality is very good. No listing on the package, but Sinister Cinema gets 5 points for providing complete contents listings of their trailer compilations in their catalog.

Highlights:

If you were to list the film credits of Howard Hawks, what would you put at the top of the list? If you said I Was a Male War Bride, then you think like the producers of the trailer for The Thing.
Godzilla, King of the Monsters had probably the most hyperbolic trailer ever. "Dynamic Violence!!" "Savage Action!!" Manic Narration!!
Conspiracy buffs alert! More subliminal messages, this time in the trailer for It! The Terror from Beyond Space. "See IT!" "Don't Miss IT!" You'd think, though, that after going to all that trouble they would have made the messages more specific.
The Crawling Hand's trailer is just as cheesy as the movie itself, which is an achievement of some sort.
Msties, take note: Contains the trailers for It Conquered the World, The Mole People, Earth vs. the Spider, The Giant Gila Monster, and The Crawling Hand.

Ratings: Camp/Humor Value: **. Weirdness: *. Historical Interest: . Overall Rating: .

The Big Snooze (film #3 on Cartoons for Big Kids (Turner Home Entertainment, 1989)). [Category: Sleaze & Outsider]

Despite its appearance on Cartoons for Big Kids, this was my all-time favorite Bugs Bunny cartoon when I was a kid. It's still on my list of all-time favorites, as it's one of the weirdest cartoons ever made, and probably the weirdest Bugs vs. Elmer toon. Elmer gets fed up with Bugs and decides to tear up his contract with "Mr. Warner" and take up fishing. He does so, despite Bugs' pleading with him not to "break up the act". After finding a nice fishing spot and casting, he promptly falls asleep. Bugs then takes sleeping pills and invades Elmer's dream, and if you think Bugs is wacky in the "real" world, just wait till you see what he does to Elmer's dream world! What probably got it on the Big Kids tape is a very funny scene of Bugs dressing up Elmer in drag and then unleashing a bunch of wolves (literally) on him ("Have any of you girls ever had an expewience like this?" Elmer asks the audience). One of the all-time great Warner Brothers cartoons.

Ratings: Camp/Humor Value: ***. Weirdness: *. Historical Interest: . Overall Rating: ***.

X Marks the Spot (MST3K Episode #210: King Dinosaur). [Category: Public Service]

Apparently, if you die in an auto accident in New Jersey, before dealing with St. Peter and your general record of sins, you have to face the Heavenly Traffic Court and answer for your driving record. This is what happens to "average driver" Joe Doaks. Reporting on Joe's record is his Guardian Angel of Traffic, who looks like a recent graduate (complete with cap and gown) of the Rocky Marciano School of Big Galloots. Joe's case doesn't fare too well--apparently, like most "average drivers", Joe's driving sucked big time. However, the judge ultimately leaves it up to us, the audience, to decide Joe's fate. Rick Prelinger, in his Our Secret Century series of CD-ROMs, tells us that many auto safety films were made by the auto industry ostensibly as a public service, but actually to place the blame for accidents in the laps of drivers and deflect blame away from design defects in their cars. This seems especially obvious in this film. Joe isn't merely shown to be a poor driver--he's supposed to represent the average driver, leading us to the conclusion that most drivers are extremely unsafe. The only mention of his car is that Joe had regular vehicle inspections (as required by New Jersey law), so "he can't blame his accident on his car". Appalling and lots of fun, with good msting.

Ratings: Camp/Humor Value: ***. Weirdness: . Historical Interest: . Msting: . Overall Rating: ***.

Chicago Television (Hollywood's Attic, 1996). [Category: Outtakes & Obscurities]

Back in the 50s and 60s, there was something called Local Television. Individual tv stations would actually produce their own programs, some popular and some forgettable. Most have been lost to posterity, but this tape is chock-full of excerpts of local Chicago shows. For me, it brings back lots of hazy early-child memories of watching local and syndicated shows, especially since I know some of this stuff was syndicated and shown in Omaha, where I grew up. I could do without the lengthy sports footage, but the tape makes up for it by including moments ranging from the truly surreal ("Diver Dan", "Clutch Cargo", the hostess of "Ding Dong School" having a one-sided conversation) to the truly evil (Pandora, the host of "Kiddie-a-Go-Go"; the Santa in The Three Little Dwarves, the faun in "The Mighty Hercules"). At over two hours, it has more prime ephemera for your money than just about any collection I know of. A must for ephemera collectors.

Ratings: Camp/Humor Value: ***. Weirdness: . Historical Interest: +. Overall Rating: ***.

Houston, We've Got a Problem (film #2 on NASA DVD (Madacy Entertainment, 1999)). [Category: News]

This well-produced documentary shows us the nerve-wracking Apollo 13 mission, where a major malfunction in the power supply made the command module non-functional, and the astronauts had to try to make it back to Earth in the lunar module, using manual controls. The film has a minimum of narration, relying mostly on NASA footage of the astronauts and of Mission Control, we-interrupt-this-program news footage, and footage of the reactions of ordinary citizens in New York City to the unfolding drama of the mission to tell its story. This makes it particularly interesting from an ephemera standpoint. Another excellent historical document on the NASA DVD.

Ratings: Camp/Humor Value: N/A. Weirdness: . Historical Interest: . Overall Rating: **.

Atom Bomb Tests: Bikini (film #5 on Atomic Memories (Video Yesteryear)).

This film documents atomic bomb tests Abel and Baker near Bikini Atoll in the Pacific. It's pretty standard for the most part, but the narration is quite pompous and occasionally strange. The most unbelievable assertion is that after test Abel they thought the damage was "negligible" at first, but found out differently at closer inspection. The idea that anyone would think an atom bomb would cause only "negligible" damage (especially after Hiroshima and Nagasaki) is pretty amazing.

Ratings: Camp/Humor Value: . Weirdness: *. Historical Interest: **. Overall Rating: *.

Albert in Blunderland (film #4 on An American Retrospective Through Animation (Moviecraft, 1994)). [Category: Industrial]

Harding College sponsored the animated films on this tape "to strengthen and preserve our American freedom through understanding." Actually, these films seem to be attempts by Big Business to sell capitalism to workers who might be otherwise tempted by the Godless Commies. The films, though well-animated and somewhat amusing, have a subtle patronizing undercurrent and a lack of understanding of the real problems of workers and the injustices they face under capitalism. Intelligent workers probably had negative reactions to capitalism from viewing these films. In this film, Albert the Auto Mechanic listens to a leftist radio commentator extoll the virtues of a "planned society", liking it to the social order of ants. Albert likes what he hears and wishes he could be an ant. After receiving a blow on the head, he gets his wish in a dream, but quickly discovers the downside of the ants' "planned society". Communism is not mentioned once by name, but it's obvious that the ant social order is meant to be a send-up of a certain large eastern European/Asian nation. Of course, this also means that it has all the dystopian cliches typical of the Hollywood version of communism, such as thought police, unreasonable work quotas, and execution without trial, even right down to the 1984-influenced city architecture. The most hypocritical part comes when Albert gets hauled off by the ant thugs for threatening to start a union in the state-controlled factory, as if workers in capitalist countries were free from such harassment. I'm no fan of communism, actually––it's just that patronizing propaganda such as this can make it begin to look good, at least momentarily.

Ratings: Camp/Humor Value: *. Weirdness: . Historical Interest: ***. Overall Rating: *.

Babies on Parade (film #1150 on Prelinger Archive). [Category: Hollywood]

Newsreel featurette about a baby parade and festival. It's not as creepy as these things usually are, since it's not so much a beauty contest as it is an all-around festival with a parade, silly costumes, and various contests. The babies react in typical baby fashion, i.e. it's fun for awhile for them, but they get tired and cranky real fast. Overall it's an innocuous slice of life from the baby boom period.

Ratings: Camp/Humor Value: . Weirdness: *. Historical Interest: **. Overall Rating: *.

Alcohol: How Much Is Too Much? (film #5 on Classroom Scare Films, Vol. 2: Health Horrors (Something Weird, 1994)). [Category: Educational]

This early 70's classroom film about the dangers of alcohol is of the "here are the facts--you decide" variety so common to the decade, which is not nearly as much fun as the "we'll tell you what to do" type of the 50's. The warnings of the risks of alcohol consumption are undercut by the visuals, which mostly consist of people having a high old time drinking. The only visual moment that reflects the downside of drinking is a very brief scene of a skid-row bum drinking in an alley. The junior-high school audience this is aimed at is repeatedly told that they must decide for themselves how much alcohol is "too much"––which is true, as the film obviously doesn't tell them.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: *. Overall Rating: .

The Apparition (film #5 on Marvelous Melies (A-1 Video)). [Category: Early Film & TV]

Dang modern technology! Just what did folks have to endlessly frustrate them before there were computers? Well, the guy in this film manages to find a candle pretty damn irrascible, as it keeps sliding back and forth across the table, suddenly turning giant-sized, and generally frustrating any attempts to read by its light. Eventually it drives the guy batty, and then the ghosts arrive. More Melies silliness. A 1901 Melies film.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

Classic Commercials, Vol. 4 (Madacy Entertainment, 1998). [Category: Commercial]

More commercials, mainly from the late 60s and early 70s, although a few 50s ones are thrown in. Like Vol. 3, this one has lots of celebrity endorsements and memorable advertising characters. Monster fans will enjoy quite a few commercials featuring classic monsters, especially the Frankenstein monster and King Kong.

Highlights:

The commercial for the Fantastic Country LP will bring afternoon tv K-Tel commercials rushing back to you.
Contact decongestant does a great parody of the old Shell gasoline roadtest commercials.
The real highlight of this tape is a great cheesy mail-in offer from the 50s Space Patrol tv show for a pair of really dorky-looking strap-on binoculars. Seeing the stars of the show wearing the things is a real hoot.
Memorable advertising characters on this tape: Mother Nature for Chiffon Margarine (the one It's Not Nice to Fool), Josephine the Plumber, and Rosie the Bounty Diner Waitress.

The Artist's Dilemma (downloaded from the Edison Film Archive ). [Category: Early Film & TV]

Ratings: Camp/Humor Value: ***. Weirdness: ****. Historical Interest: ****. Overall Rating: ****.

Beech-Nut Baby Food (film #22 on Prelinger Archive). [Category: Commercial]

Ratings: Camp/Humor Value: *. Weirdness: *. Historical Interest: ***. Overall Rating: **.

Bring 'Em Back Nude (extra on The Beast That Killed Women/The Monster of Camp Sunshine DVD (Something Weird, 2001)). [Category: Sleaze & Outsider]

Ratings: Camp/Humor Value: ****. Weirdness: ****. Historical Interest: ****. Overall Rating: ****.

Babies and Breadwinners (film #421 on Prelinger Archive). [Category: Public Service]

Ratings: Camp/Humor Value: **. Weirdness: **. Historical Interest: *****. Overall Rating: ***.

Classic Sci-Fi Trailers, Vol. 5 (Sinister Cinema). [Category: Commercial]

Ratings: Camp/Humor Value: ***. Weirdness: ***. Historical Interest: ****. Overall Rating: ***.

The Bachelorette Party (film #8 in the Indie Section of Movieflix (www.movieflix.com)). [Category: Outtakes & Obscurities]

Ratings: Camp/Humor Value: **. Weirdness: ***. Historical Interest: **. Overall Rating: **.

Dole Air Race, 1927 (film #1818 on Prelinger Archive). [Category: News]

Ratings: Camp/Humor Value: **. Weirdness: **. Historical Interest: ****. Overall Rating: ***.

Goldielocks Goes Glamorous (film #2 on Exploitation Mini-Classics, Vol. 2 (Sinister Cinema)). [Category: Sleaze & Outsider]

Ratings: Camp/Humor Value: ***. Weirdness: ***. Historical Interest: ***. Overall Rating: **.

Atomic Alert.

Ratings: Camp/Humor Value: ****. Weirdness: ***. Historical Interest: ****. Overall Rating: ****.

America on Wheels (film #349 on Prelinger Archive). [Category: Industrial]

Ratings: Camp/Humor Value: **. Weirdness: ***. Historical Interest: ***. Overall Rating: **.

Dinosaurs! (Simitar Entertainment, 1993). [Category: Outtakes & Obscurities]

Ratings: Camp/Humor Value: ****. Weirdness: ****. Historical Interest: *****. Overall Rating: ****.

NASA, the 25th Year (film #6 on NASA DVD (Madacy Entertainment, 1999)). [Category: News]

Ratings: Camp/Humor Value: *. Weirdness: ****. Historical Interest: *****. Overall Rating: *****.

Baggies Food Wrap Commercial (film #425 on Prelinger Archive). [Category: Commercial]

Ratings: Camp/Humor Value: **. Weirdness: **. Historical Interest: ***. Annoyance Factor: *****. Overall Rating: ***.

Boudoir Buccaneer (film #11 on Blood of Floor Sweepings (LS Video)). [Category: Sleaze & Outsider]

Ratings: Camp/Humor Value: ***. Weirdness: ****. Historical Interest: ****. Overall Rating: ***.

American Cowboy (film #352 on Prelinger Archive). [Category: Public Service]

Ratings: Camp/Humor Value: **. Weirdness: **. Historical Interest: *****. Overall Rating: ****.

The Atomic Dilemma: Challenge of Our Age (film #4 on Atomic Memories (Video Yesteryear)). [Category: Military & Propaganda]

Ratings: Camp/Humor Value: **. Weirdness: ****. Historical Interest: ****. Overall Rating: ***.

The Artwork in Its Age of Mechanical Reproducibility (film #15 in the Film & Video section of Illegal Art). [Category: Outtakes & Obscurities]

Ratings: Camp/Humor Value: ***. Weirdness: ****. Historical Interest: ****. Overall Rating: ***.

Chasing OJ (track #22 on Stay Tuned: Television's Unforgettable Moments DVD (Garner Creative Concepts, 2002)). [Category: News]

Ratings: Camp/Humor Value: *. Weirdness: **. Historical Interest: ****. Overall Rating: **.

Atom Bomb (film #408 on Prelinger Archive). [Category: Military & Propaganda]

Ratings: Camp/Humor Value: **. Weirdness: **. Historical Interest: ****. Overall Rating: ****.

American Thrift (film #5 on Lifestyles, U.S.A., Vol. 1 (Something Weird, 2000). Also, film #375 on Prelinger Archive). [Category: Industrial]

Ratings: Camp/Humor Value: ***. Weirdness: ***. Historical Interest: *****. Overall Rating: ****.

America for Me (film #341 on Prelinger Archive). [Category: Industrial]

Ratings: Camp/Humor Value: *****. Weirdness: ****. Historical Interest: ****. Overall Rating: *****.

Bargain Madness (recorded off of Turner Classic Movies). [Category: Hollywood]

Ratings: Camp/Humor Value: ***. Weirdness: ****. Historical Interest: ****. Overall Rating: ****.

The Alphabet Conspiracy (Rhino, 1991). [Category: Educational]

Ratings: Camp/Humor Value: ****. Weirdness: ****. Historical Interest: *****. Overall Rating: ****.

Aurora Stunt and Drag Race Set Commercial (film #416 on Prelinger Archive). [Category: Commercial]

Ratings: Camp/Humor Value: ***. Weirdness: ***. Historical Interest: ****. Overall Rating: ***.

Blonde (film #26 on Prelinger Archive). [Category: Sleaze & Outsider]

Ratings: Camp/Humor Value: *. Weirdness: **. Historical Interest: ***. Overall Rating: ***.

Ask Me, Don't Tell Me.

Ratings: Camp/Humor Value: *. Weirdness: ***. Historical Interest: *****. Overall Rating: *****.

Arrivee des Congressiates a Neuville sur Saone (film #5 on The Movies Begin, Volume Two: The European Pioneers (Kino Video, 1994)). [Category: Early Film & TV]

Ratings: Camp/Humor Value: *. Weirdness: *. Historical Interest: **. Overall Rating: *.

And the Curtain Closed (film #4 in the Indie Section of Movieflix (www.movieflix.com)). [Category: Outtakes & Obscurities]

Ratings: Camp/Humor Value: *. Weirdness: **. Historical Interest: *. Overall Rating: **.

California State Highway 101 Opening (film #1808 on Prelinger Archive). [Category: News]

Ratings: Camp/Humor Value: *. Weirdness: *. Historical Interest: **. Overall Rating: *.

The Army Nurse (film #393 on Prelinger Archive). [Category: Military & Propaganda]

Ratings: Camp/Humor Value: *. Weirdness: **. Historical Interest: *****. Overall Rating: *****.

Classic Sci-Fi Trailers, Vol. 4 (Sinister Cinema). [Category: Commercial]

Ratings: Camp/Humor Value: ****. Weirdness: ***. Historical Interest: ****. Overall Rating: ****.

Aluminum on the March (film #325 on Prelinger Archive). [Category: Industrial]

Ratings: Camp/Humor Value: ****. Weirdness: ***. Historical Interest: *****. Overall Rating: *****.

Glen or Glenda? (acquired through trading) [Category: Sleaze & Outsider]

Ratings: Camp/Humor Value: *****. Weirdness: *****+. Historical Interest: *****. Overall Rating: *****.

A Date with Your Family Outtakes (reference item on A Date with Your Family, film #4 on Our Secret Century, Vol. 3: The Behavior Offensive CD-ROM (Voyager). Also, film #603 on Prelinger Archive). [Category: Outtakes & Obscurities]

Ratings: Camp/Humor Value: ***. Weirdness: ***. Historical Interest: ****. Overall Rating: ***.

AMC Jeep Commercial (film #340 on Prelinger Archive). [Category: Commercial]

Ratings: Camp/Humor Value: *. Weirdness: *. Historical Interest: ***. Overall Rating: *.

Beware (film #1 in the Black Culture section of Movieflix (www.movieflix.com)). [Category: Sleaze & Outsider]

Ratings: Camp/Humor Value: ****. Weirdness: ****. Historical Interest: *****. Overall Rating: ****.

Always on Call (film #327 on Prelinger Archive). [Category: Public Service]

Ratings: Camp/Humor Value: **. Weirdness: **. Historical Interest: *****. Overall Rating: ****.

Audio Test #4 (film #7 in the Indie section of Movieflix (www.movieflix.com)). [Category: Outtakes & Obscurities]

Ratings: Camp/Humor Value: **. Weirdness: ***. Historical Interest: **. Overall Rating: **.

Black Power: The Protest at the 1968 Mexico City Games (track #28 on Stay Tuned: Television's Unforgettable Moments DVD (Garner Creative Concepts, 2002)). [Category: News]

Ratings: Camp/Humor Value: N/A. Weirdness: **. Historical Interest: *****. Overall Rating: ****.

The Arm Behind the Army (film #392 on Prelinger Archive). [Category: Military & Propaganda]

Ratings: Camp/Humor Value: **. Weirdness: **. Historical Interest: *****. Overall Rating: ****.

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Ratings: Camp/Humor Value: *. Weirdness: . Historical Interest: . Overall Rating: .

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Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: **. Overall Rating: *.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: ***.

Ratings: Camp/Humor Value: *. Weirdness: . Historical Interest: **. Overall Rating: *.

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Ratings: Camp/Humor Value: **. Weirdness: *. Historical Interest: . Overall Rating: .

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: *.

Ratings: Camp/Humor Value: N/A. Weirdness: . Historical Interest: +. Overall Rating: ***.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: **. Overall Rating: *.

Ratings: Camp/Humor Value: **. Weirdness: *. Historical Interest: . Overall Rating: **.

Ratings: Camp/Humor Value: N/A. Weirdness: . Historical Interest: *. Overall Rating: ***.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: **. Overall Rating: *.

Ratings: Camp/Humor Value: *. Weirdness: **. Historical Interest: . Overall Rating: .

Ratings: Camp/Humor Value: N/A. Weirdness: . Historical Interest: +. Overall Rating: ***.

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Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: *. Overall Rating: **.

Ratings: Camp/Humor Value: . Weirdness: *. Historical Interest: **. Overall Rating: *.

Ratings: Camp/Humor Value: **. Weirdness: *. Historical Interest: . Overall Rating: ***.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

Ratings: Camp/Humor Value: **. Weirdness: *. Historical Interest: . Overall Rating: .

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: .

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: . Overall Rating: *.

Ratings: Camp/Humor Value: . Weirdness: . Historical Interest: *. Overall Rating: .